Opera
Lucretia - The Rape of Lucretia (B. Britten)
Auntie - Peter Grimes (B. Britten)
Hermia - A Midsummer Night's Dream (B. Britten)
Book of Fate/Old Woman/Mrs. Northwind - The Enchanted Pig (J. Dove)
Hänsel/Hexe - Hänsel und Gretel (E. Humperdinck)
Fekluscha - Katá Kabanova (L. Janaceck)
Dorabella - Così fan tutte (W. A. Mozart)
Dritte Dame - Die Zauberflöte (W. A. Mozart)
Erste Magd - Elektra (R. Strauss)
Dryade - Ariadne auf Naxos (R. Strauss)
Baba the Turk - The Rake's Progress (I. Stravinsky)
Olga - Eugene Onegin (P. I. Tchaikovsky)
Erda - Das Rheingold (R. Wagner)
Flosshilde - Das Rheingold (R. Wagner)
Siegrune - Die Walküre (R. Wagner)
Yelena Popova - The Bear (W. Walton)
Oratorio/Concert
St. John Passion (J. S. Bach)
Christmas oratorio (J. S. Bach)
Messiah (G. F. Händel)
Arianna a Naxos (J. Haydn)
Gudruns Sorg (P. Heise)
Requiem (W. A. Mozart)
Stabat Mater (G. Pergolesi)
Petite Messe Solennelle (G. Rossini)
Les Noces (I. Stravinsky)
"It was not only Frida Lund-Larsen’s dress that attracted admiration, but also her performance of an aria from Handel’s Hercules, an oratorio that, like several of the composer’s other works—including Semele—has frequently been presented on stage. Lund-Larsen’s dark mezzo-soprano was beautifully resonant; she gave the text real meaning and delivered some remarkably precise coloratura runs."
